I don't know what they do with their discs after they are pressed, but I imagine a long shuffleboard table, one person on one end with the inner-sleeve, and another on the other side to slide the disc across the table into the sleeve. And they always make stuff, that while it may not be my favorite, is really thoughtful, and detailed in every way but the actual quality of the discs. Many of us LOVE a good music Score, and WW puts out, obviously a ton of great soundtracks and scores. As always, great packaging, and audio sourcing, but again, marred by careless handling/packaging from the plant/company"Īnd there we go, I think I can apply that to all of the Waxwork releases I have. The discs themselves, however, have a lot of light scuffs right out of the package, and most all sides play with regular light pops, and the noise-floor of well-played VG/VG+ LP. Color variant looks great, and I really like the theme here. ![]() Audio sourcing, and mastering was done really well, with great dynamics, and a proper, sequential track list. LOST HIGHWAY LTD SPLATTER VINYL ARCHENEMY PURPLE VINYL TEXAS CHAINSAW MASSACRE Prisoners Of The Ghostland purple vinyl MALIGNANT 2xLP Blood Red with Gold. "Packaging on this release is excellent, really great work on artwork and quality of jacket. ![]() Special Thanks: Spencer Hattendorf, Jake Aron, Andrew Lappin, Charlie Ellis, Brama Sukarma, Dylan Bostick, Our Families.Let me go ahead and do the Discogs community a favor by typing this review, which you can simply copy & paste into most any Waxwork release. Some of these songs will eventually make their way to streaming, but the mixtape will be available in full exclusively here on Bandcamp. With that in mind, all proceeds from digital sales will go towards Bushwick Ayuda Mutua, a mutual aid group serving the community where we’ve lived and worked as we made this record. Waxworks is a document of an era that started with a burst of creativity and ended in quarantine, so it’s fitting to release it now, looking down the barrel of a long winter that has hit our local community particularly hard. We incorporated contributions from past and present members of the band as we embraced a newly fluid and collective identity, looking towards Elephant 6, the big Canadian collectives of the early aughts, and Stiff records for musical inspiration. Guided by these limitations, we found new freedom in our creative process, writing collaboratively, switching instruments, and stretching out into different sonic territories-guitar-less shoegaze, Philly-style soul, pub rock. Our only directive was to write and record songs with only the tools at hand: a handful of microphones, an old multi-channel Zoom interface, and the acoustically raw practice space in the East Williamsburg Industrial Park that we’ve occupied for the past several years. We wanted to make the recordings definitive, but we knew that if we strayed too far from our scrappy demos we might never finish the job, or else end up betraying what was good about the songs in the first place. Songs that started out as sketches on Jason’s iPad suddenly sounded surprisingly good, better than what we thought we could achieve on our own. Late in the process of putting together this mixtape, it dawned on us that we had been gradually moving the goalposts for what we set out to achieve. I’ve got some notions I don’t dare to mention That’s somebody else’s backseat confession I didn’t mean to be so indiscrete with youĪnd if they follow you, may you run fast and true The schoolyard is full of kids this morningĪnd all the cities crumble back into dust They’ve turned their backs on you at last We could never get it back in the first placeĪnd all your old friends are gone for good All records have some problems, but in this case the imperfections and noise are both so great that their impossible to ignore. Granted, vinyl is an imperfect, physical medium. ![]() That's not the reason that brought you hear tonight Unfortunately, the Waxworks release a noisy affair, with countless pops and crackles that suck away any tense feeling the quiet parts may have built otherwise. If I was evil you'll forgive me by and by Was it worth all the trouble that you gave? There is a good life but they keep it hid You left the underside you left the skids That's not the reason that brought you here tonight You told me secrets, I couldn't hear a soundįeeling nervous white knuckles on the dash There were moments that made me want to live
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